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Artist name: Danielle Swaby; Song title: "Silent Treatment"

"I only hope that I write songs that people can relate to".
Play song from MSSVision; Song Lyrics

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Danielle
Danielle Swaby


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Danielle Swaby -> Danielle
The intriguing sounds and rhythm make the intro quite interesting and involving. This is a good start which presents the song so well that the 8 measures it has are not needed actually. In 4 measures the instruments from the end of the phrases can be introduced and that would be quite fine.
The above would make a good rule of thumb - if you are not a major star, songs should say promptly whatever you have to say.

Otherwise the Destiny's Child (or whoever the current trend is) CD is just a click/push play away.

But let's keep listening to Danielle Swaby. The track has an artistic and commercial appeal that could be of interest to radio stations. And this is the most important feature.

Also, good songwriting and passionate performance are clearly evident. The song structure is well organized and the arrangement helps the overall communication of musical ideas. The choice of instruments complements the R&B sound (this is not Hip Hop, right!) and is in track with the melodic interpretation of lyrics.
Well, a few optimizations will make the commercial appeal definitely of interest to radio stations.

- The "well organized structure" could be further cleaned. In addition to the shorter intro, the four instrumental measures between the first Chorus and second Verse are not needed. Reasons: 1) the rhythm pattern is enough persistent thru the entire track, so there's no need to demonstrate it additionally; 2) currently there's no heavy use of vocals or major harmony changes that would justify those four measures.

- The arrangement should play a more important role in the dynamic development (which needs to be increased) of the song. The Pre Chorus comes naturally after the Verse. The underlying organ and use of vocals bring a new life into the song. This helps maintain the listener's interest, and is important. Then the Chorus comes but doesn't seem to bring anything new, different, or stronger. Assuming that melodically the Chorus is OK (memorable, unique), the arrangement is what will make it really noticeable. The most appealing approach would be to intensify the rhythm. Add percussion to the pizzicato or to "I can't take this". Or you could simply slightly change the rhythm during the Chorus, or add a new one on top of the main one. Also you could use the synth to add intensity to the rhythm.
And to finish with the Chorus, what about leaving the last "this silent treatment" without bass and drums? Give it a try, it would increase the dynamic significance of the whole song.

- The instruments are well chosen, apart from the fact that the synth reminds the 80's sound. This might be a good or not so good thing depending on your intentions.

- The drums only part before the last Pre Chorus and Chorus could be easily enhanced too. Again, add intensity to the rhythm, or as alternative you could think it as the time for solo. That electronic piano can be further exposed and contribute musically to the track.

Anton Tontchev
for MSSVision.com - 08/02/2005

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